Webletter Home  

Winter 2001  Issue 2


President's Letter

Editor's Letter

Feature Article

Member Profile

New Member
Profile

Negotiating

Sound Barrier

Calendar

Feedback

Subscribe

Back Issues

Webletter Home

 


U.S. Women's Olympic Swimmer, Los Angeles, 1964.
The epitomy of beauty, efficiency and grace under water.
All photos © Bob Gomel

MEMBER PROFILE: BOB GOMEL

Mr. Fields was my grade school science teacher. His classroom was decorated with beautiful sepia-toned examples of his photography. The image closest to me was a back-lit nightview of a manhole cover on a cobblestone street. It was irresistible. I joined his photography club. I was hooked. WWII ended and I delivered groceries to pay for the first post war camera: a Ciroflex. In no time I took over a closet/cum darkroom in our apartment and began a great adventure which was to last the rest of my life. The French have a expression “joie de vivre”. For me that includes the thrill of making a compelling photograph. That has not diminished over time. I suspect it never will.


The Beatles, Miami, 1964. The Liverpool lads when
they undertook their first triumphant tour of the Colonies.


U.S. Olympic Bobsled team. Mt. VonHovenburg, Lake Placid, 1968. Seated in front of the brakeman, I squeezed a phneumatic release to fire my Nikon while bouncing over jagged ice at 105mph. We made three runs: for 1/125, 1/60, & 1/30 of a second.


Bobby Kennedy, New Jersey, 1968.
On the campaign trail, about a month before the fatal shot. In retrospect, the somber dark tones of this image presage what was to happen.


Ike's funeral, Life cover, 1969. Suspended remote camera near dome of Capitol Rotunda, 15,000 watts strobe, 750' zipcord to footswitch on press stand.


T-28 and Carrier Essex, Gulf of Mexico, 1999. Deja vu: I did my instrument qualifications in this aircraft in 1956, and here I am, in the back seat with remote control in hand.


Shot-Put, Houston, 1997. Having failed to get this athlete's model release, I resorted to photoshop as a way to avoid identification.


Cockatoo, Houston, 1998. To promote my middle son's dental practice.


Seven Acres, Houston, 2000. Near the end.
This gentleman passed away soon after my visit.


Day Care Center, Houston, 2000. To symbolize all the kids at day care centers for a fund raising campaign. Used Nikon de-focus control lense.


Family, Houston, 2000. Oldest son and family. Playing with Nikonos.


Museum of Fine Arts, Houston, 2001. The passage way between the two buildings with its ever-changing light patterns.